Posts in Category: creativity

Centering Within

It was 13 degrees here this morning when I took the puppy for a walk. I’m burying my nose in a cup of chai on the couch now contemplating all the Saturday projects. But first, fuel for the day…eggs, half of an avocado, big glass of water, vitamin, and reflection time. This is my centering time. This is the time that powers the rest of the activities, projects and…the creativity. It is this “Centering Within” process that I return to again and again-the painting behind me on the wall a mere reflection of the internal process of going within and then heading out into the world and returning again to the center for fuel for the next journey outward.

Five Steps to Nurture Innovation

The Paintpushers group at “Light & Dark” art reception Heritage Gallery Des Moines, IA

What kinds of problems are you struggling to solve on a daily basis? What areas of your life and work need innovative thoughts? A recent problem I was invited to solve by one of my artistic communities, the central Iowa based Paintpushers group, was to create two paintings with the theme of “Light & Dark” for our yearly group art show. I was given a couple of canvas sizes to choose from and a deadline for completion and exhibition. And, then time, to contemplate and create.

Light & Dark Paintpushers Art Exhibit

Step One- Ask Big Picture Questions

Often times when we are faced with big problems to solve and looking for truly innovative ideas, the project can seem so overwhelming it is hard to even know where to start. I started my creative process by asking myself big picture questions like “How do I visually represent the vast concepts of ‘Light & Dark’? How do I put color, line, and form around such abstract concepts? What comes to mind when I think about light and dark? What do they represent to me?” These big picture questions are a good place to start while grasping vision for innovative ideas, but only the first step. 

Looking Towards the End of the Night 24×24 2018©Melynda Van Zee

Step Two-Research and Drawing Connections

Over the early months of the project, I let my mind drift around the concept of light and dark. I thought about the concepts of light and dark aesthetically, philosophically, emotionally and spiritually. I read current news reports, ancient scriptures, art history books and novels. I wrote notes in my sketchbook along the way. I spent time drawing what felt like random abstract shapes in my art journal. I had conversations with artists in my Paintpushers group. I worked on other paintings for different shows. I interacted with my friends and family. I went to yoga and took walks. Basically, I call this the “marinating phase”. Like a good steak, ideas need time to marinate. Ideas need time for the thinker to research and to draw connections from a variety of sources.

Darkness is as Light 24×24 2018©Melynda Van Zee

Step Three- Live the Wrestle

My thoughts around the topic grew deeper, actually more confused. “Is one painting all light and one all dark? Do they each have elements of both? Who am I to try to paint Light & Dark? What wins Light or Dark???” And, now I was sinking down into the messy middle…cross pollinating ideas, the sorting and eliminating concepts. I referenced my own experiences and I looked for the universal connections. For example, I know that I have personally experienced light notably masked by grayness/darkness-a light marred by dark shadows. I know, too, that this is the experience of humanity-a universal experience for all of us. I know that each of us gets to choose where we will focus in the midst of these complicated realities-will it be on the light? Will it always be on the dark? Will it be with eyes open wide to the reality of both?

“Light & Dark”-work by Melynda Van Zee and Charlotte Redman

I started wrestling through the emotional and spiritual roadblocks to solving my problem. I asked myself “How do I let despair, anger, evil win and block out the light? Do I pretend that everything is sunshine and roses putting on a false front of uber happiness that is unsustainable? Can I acknowledge the beautiful, tumultuous experience of having both light and dark simultaneously appearing in my daily life often times at a mock rate of speed as I do something as simple as scrolling through my social media feeds? And, how on earth, might I somehow be able to translate these larger questions through paint?”

“Light & Dark”-Paintings by Kristin Aulwes and Jacque Hudson

Step Four-Commit to the Work

As I was working through my own personal, “why and how” questions, my fellow Paintpushers members were asking themselves similar questions. I find it kind of fascinating to watch this process of corporate creativity and innovation. What happens when you take a group of visual artists with numerous personalities and life experiences and ask them to commit to exploring the same topic-in this case creating two pieces of work with the theme of Light & Dark? What happens as each individual artist lives through the wrestle of how they might interpret these concepts with their own media, personal symbols, textures, and color choices? What happens when we all finally commit to doing the work and start creating? 

“Light & Dark”-Paintings by Rob Romero and Jeff Rider

For at some point in the innovation process, the creator actually needs to commit to the work. Decisions start to be made. Tools come out- in our case…we begin to draw, sketch, paint, pull brushes out, uncap paint pens, order canvases, commit to size of panels, pay fees, sharpen pencils, fret, and plan. We apply the paint, pencil, and charcoal. We start with 1st layers, obsess, stare, avoid, research more. We add more paint, take photos, turn work upside down, paint over, look at it from across the room, and complain about the process to anyone around us. And, then we finish. We declare a painting complete. We photograph and varnish and sign and title and add wire to the back.

“Light & Dark”- Paintings by Mason Howerzyl and Chris Vance

Step Five- Share the Work

But, then this creation, this innovative solution to a problem, this personal interpretation of a theme, needs to be shared, needs to leave the safety of the studio, needs to make its way into the world and the artist needs to let it go. What happens when a group of creators come together and shares this new body of work corporately imagined, but executed in the privacy and quiet of individual studios? My answer to this question is growth-growth is what has happened. Growth and transformation and innovation-new ideas and images have been welcomed into the world. 

“Light & Dark”-a wall of paintings by guests of Paintpushers

The process of innovation is fraught with ups and downs, sideways maneuvers, emotional upheaval and uncertain outcomes. But, for each of us that undertakes the creative process, we transform a bit of who we are in the process. Taking invisible concepts like “light” and “dark” and making them visible-that is what artists do, but the process for how we actually do it is sometimes quite a mystery to the artist themselves while in the middle of the process and almost always to those around the artist.

However, this process does not need to remain a mystery.

Remember these Five Steps to Nurture Innovation…

  1. Ask big picture questions

  2. Research and draw connections

  3. Live the wrestle

  4. Commit to the work

  5. Share the work

“Light & Dark”- work by Andrea Van Wyk and Sarah Schroeder

I read so much about how our culture is deeply in need of innovation, but I fear we have much to learn about where true innovation comes from. The worlds of education, business, government, health, science all have deep needs which will take innovative thinkers to solve.

“Light & Dark”- work by Kristine Clemons and Emily Kobliska

How does change, transformation, and innovation happen in our communities and businesses?

Discussion during “Light & Dark” Paintpushers Group Show 2018

What if artists become the teachers of innovation and problem solving?

Artistic community of Paintpushers

What if artists would teach other people this process of corporately imagining new things- how to ask big picture questions, how to research and draw connections, how to live the wrestle and commit to the work?

“Light & Dark” Paintpushers Group Show 2018

What if artistic communities become the model for sharing explorations and incubating innovative ideas together?

Polk County Heritage Gallery Des Moines, IA

And while the Paintpushers “Light & Dark” show at the Heritage Gallery for 2018 is now history, the process we took to achieve the innovating work in this show is something we can repeat over and over again in the many arenas of our lives. And, it is a process you can adapt to your own problems-your own situations in need of solutions and innovative answers. 

Deep Focus

Illumination #3 36×36 2017©Melynda Van Zee

In this new year I’ve been thinking about deep focus- how sometimes I achieve it and sometimes I wander so far from the path. I accomplished some big tasks over the last season of creating art and sharing my work at art fairs and exhibits. Some of my work is more visible from the outside and some of it is unground and deeper quiet work that is much harder to detect. I was so struck by the words of Carol Green who so eloquently said, “Ultimately, what takes an artist to the next level is the integrity and presence of the art they make.” (Carol Green of Green Naftali Gallery in NY) She captures in succinct language the type of art that I believe flows out of periods of deep concentration and focus.

Deep focus is an all too rare commodity in our culture today. We are well aware of the many distractions that can so easily pull us out of places of flow and concentration no matter the type of work we do. I’ll admit that over the past two months I have experienced competing forces pulling for my time and attention and I allowed some things to fall off my schedule. It is easy for creatives to battle feelings of guilt when they drop out of activities for periods of time instead of celebrating focused attention to the large work at hand. The message our culture sends is that you have to be more, share more, do it all…when in reality these activities may be in direct opposition to the activities that will actually help you create the deep and meaningful work you long to produce. I don’t think the works of presence and integrity that our society so desperately needs in so many fields of study can occur without this ongoing deep focus of mind, spirit and heart.

The Battle of Creative Courage

Dear Creative Heart,

This is the time of year that I am spending hours in the studio fighting the battle of creative courage. It is the time of year when all the time spent dreaming and reflecting about what I will be creating in 2017 starts to unfold.

When the sun is shining and light is pouring through the windows of my upstairs sunroom studio, it helps me to find the inspiration to put the brush to canvas.

You can also find me this time of the year in my basement studio. This is a much bigger space so I have room for canvases in various stages from beginning to end. Some are drying from a layer of gesso which is the very first layer I apply to canvas. Some canvases have just had the clear line work laid down, and some have reached the finishing stages-ready for the sides to be painted and the multiple protective layers of isolation coat and varnish to be applied. 

So many pieces are in progress right now…but still I work from this place of not knowing. It is in this place of not knowing where the battle of creative courage intensifies on an hourly and daily basis.

This is the place where I have to remind myself time and again that listening to what is in my heart is the way to taking the next step.

This is the place where I am deeply grateful that I have to opportunity to wrestle with translating thought, feeling and experience to the canvas in vibrant color.

Keep creating friends.

Keep ushering art into your life in all its various forms.

Look for the light, it is waiting to be found.

With Passion,

Melynda