Dear Creative Heart,
This new year has brought the first large painting of the year “Unraveled”, the beginning of a new body of work, local art exhibits and an “art show application season” in full swing. It is hard to believe we are already a month and a half into the new year.
Winter days in the studio are finding me adding a layer of gesso (white undercoat layer) to canvases, designing and laying down the line work for new pieces and applying to 2017 art shows.
I’ve also been enjoying sharing my work in some local art exhibits over the winter months. I’ve shared my artwork in a retirement community, an art center members show and a coffee shop. It is one of the best joys of being an artist to share work in places where people congregate as a community for fellowship, healing, growth and conversation.
There are many different responses we can choose when facing the multitude of changes, transitions, fears, and unrest that we have been dealt as a nation. One of the things I have decided to do is to choose creating and sharing art- focusing anew on creating beauty, joy, vibrant color, hope, and community.
My dearest creative hearts,
I’m sitting at my computer desk gazing out of my window on a gorgeous fall afternoon- it is an unbelievable 72 degrees on Nov. 4. (I am born and raised in Iowa and we are long trained to start most any conversation with a comment on the weather!) And, now that the gorgeous weather conversation has got us going…what’s really on my heart and mind is a recent artistic challenge I’ve been wrestling with.
One question I have been frequently asked is “Do you have any paintings in neutral colors?” Now to be honest- I’ve met these requests to paint with more neutrals with a variety of responses…down right ignoring them, laughing them off, feigning interest while internally shouting “But I DON’T paint neutrals, they are boring”, followed by a crossing my arms pose while internally staking my claim “I paint COLOR!” Occasionally I would let myself wonder, maybe I could try it, but then a whole other host of excuses and fears would rise up. I would worry that in light of my earlier work with bright colors, I “shouldn’t paint neutrals” because it might dilute the signature colors I usually put on my palette. Artists are trained by professionals and gallery owners to do consistent work in a recognizable palette and style so that people can easily recognize the work-deviating from the known can create marketing challenges. But, underneath all the mental gymnastics, what I think was really going on was fear- fears I wouldn’t figure out the technical difficulties of switching to a new color palette, fears the paintings wouldn’t be beautiful (what if people don’t like them?), fears that maybe people would think maybe I was “going through a hard time” if I starting painting gray paintings. Oh- the power of fear to block our creative experiments!
I wish I could tell you that I was so self aware that right away I just started painting neutral paintings. But the reality is that I had to personally do the steps to the creative process that I have taught in my classes so many times throughout the years. One benefit of having painted for many years is that I am becoming more knowledgable about my own resistance patterns to creativity. Sometimes I can’t or don’t take the time to step back and figure out what is going on internally, to really digest what truly is getting in the way.
What finally helped to break my creative roadblock was taking a walk to one of my favorite places-Lake Red Rock. I explored again old territory by doing a slow walk across the remaining section of Horn’s Ferry Bridge that still rises above the Des Moines River.
I allowed myself to go and hang out at a place I have been hundreds of times before, but this time I saw it with fresh eyes. I walked the planks searching for inspiration and sure enough I found it-under my feet.
The weathered boards…
The creative cycle going full circle- a problem to solve, making something new from something old, letting the past speak into my future, letting my specific place in this world inform my art and inspire new creative leaps. A settling of my spirit in knowing that this series of work is authentic to me and my story and my places. And, that the seemingly simple requests for more paintings in a neutral color palette took me on a creative ride back to pieces of my own story.
You have the opportunity to purchase one of the new “Horns Ferry Bridge” series at any one of these three upcoming shows in central Iowa or by contacting me directly at the studio- just send me an email (firstname.lastname@example.org) if you are interested.
2016 Art Show Schedule
I’m also working on a collaborative painting with artist Chris Vance for the upcoming Paintpushers show “Collision”. Painting in progress now- make plans to see the collaborative piece and meet all the Paintpusher artists at the opening reception on Dec. 2 at the Des Moines Social Club!
2016 Art Exhibits
One of the most frequent questions I get asked in my art booth is some version of “Why all the swirls?” I love this question! I’ve always sketched and doodled swirls, spirals, waves and circles. My notebooks/diaries/journals have been full of spirals since a young age. I even have my childhood Spirograph sitting in my studio. However, it wasn’t until several years ago when I was exploring creating a body of work involving spirals, that I began to connect the dots in my own visual language journey. I started to research the deep symbolism of the spiral (and by “research” I mean standing in the Minneapolis Institute of Art book store browsing a book on symbolism in art) where I discovered two interesting things. First, the spiral is the most commonly found form in nature-I had NO IDEA!?! Really, the most common??? I also read that for centuries the spiral has been the visual symbol for growth and transformation.
This idea connected with me- it made sense at very deep personal level. I have a background in education and art. For years, I’ve been teaching and encouraging the processes of growth and change. I love to read books about the creative process and how it helps to facilitate openness to change. I discovered in that moment for the first time that these things that I was creating intuitively, made sense to me on intellectual, emotional and spiritual levels as well. Basically, my head was catching up with my heart.
I also think on some level this research somehow internally gave validity to my visual pursuit of this series of work. It makes me feel so “human” to admit that I had to wrestle internally and for years to find the value in my own creative processes. I’m still on this growth curve, but I have learned to be more aware of what my art is teaching me about my own life and moving through life with those around me.
We are all swirling and spiraling through stages and phases. Some are more colorful that others. Some come with more pain, some with more joy and they are all a part of this process called life. So, I paint the spirals and loops and movement capturing bits of emotion and life experiences on the canvas as I go. Each stroke a brief glimpse into this human experience- full of movement, transitions, transformations, and change.
Noticing the colors,
the deepening layers
Dear Creative Heart,
Throughout this year, I’ve been developing a new series of paintings. Earlier this year I wrote about the very beginning phases of this new series. I have continued working through additional pieces in the series focused on the visual symbol of the sphere. The sphere (or circle) has been a fascinating vehicle for so many ideas running through my thoughts and for translating experiences from real life. The spheres I have painted have been containers of color, thought, pattern, brush strokes, design, and internal processes.
A few weeks ago I finished “Spheres of Connection”. It seems appropriately titled since we just celebrated one year in our new home and new community. So much has been brought full circle in our lives and for that I am deeply grateful.
Next week at the art fair in Lake Geneva, WI, I’ll be debuting the newest piece in my ongoing spheres series entitled “Spheres of Diversity”. The news stories of the summer have highlighted again the diversity of struggles still facing our culture in so many arenas. One question that strikes me is how different would our world be if we would look more for the beauty in our diversity instead of the divide? My sense is that the time has come to focus on uncovering the beauty in our complex stories and unique experiences so that together we can be voices who bring a new focus, a fresh hope and eyes of wisdom to the deep hurt and divide in our culture.