Creating paintings that resonate with viewers, paintings that hold the viewers attention and bring them back again for another look, is a major goal of every painter. I spent the winter months this year buried in my Iowa studio creating a new body of work and now I’ve started to share it publicly. I’m two art shows in for the year. In the last month I’ve been to my first show in St. Louis, MO at the Laumeier Sculpture Park and participated in a show on the downtown streets of Iowa City, IA.
One of the major benefits to artists exhibiting at an art fair is getting direct feedback from your audience and customers. I’ve learned to observe my visitors and listen closely to their feedback. I’ve also started to jot down some of their comments and observations for me to reflect on later. They are teaching me about my own work. They ask inquisitive questions and as I answer their questions they help me to become more articulate about my work and techniques. Creating a painting is much more of a solitary pursuit, interacting with the general public in my art booth is not.
Observations, Questions and Comments from the road so far this year…
“I feel like you are inside my head.”
“There is so much depth here.”
“You’re my kind of painter.”
“Looks like lots of spontaneity there- I like that…to see surprises.”
“Calming and soothing, yet full of life bubbling up.”
“It’s just like free… so free.”
“I’ve never seen anything like it.”
“I love your stuff. It’s so vibrant!”
From a trio of college friends… “Groovy!” “It’s crazy stuff!” “Rad!”
“What is the name of your method? What about the ‘Van Zee Free Method’?”
And, lots of questions about technique…
“Is it glue?”
“Is it Elmer’s?”
“Is it wax?”
“Is it encaustic?”
To which I answer… “No, it is all acrylic mediums and paints”.
“Really??? Cause I didn’t even know acrylic could do anything like this?”
And, then I start to notice which paintings people are gravitating toward and which paintings they look at for a long time and which paintings they point out and talk about to their friends or family.
This year I’ve noticed there is one painting that consistently gets feedback. It is the painting titled “Unraveled Fears”.
Some comments about “Unraveled Fears”…
“It looks like a tornado of love.”
“I think it is an elephant.”
“Looks like female anatomy parts to me.”
“It’s a tornado. I know it’s a tornado!”
“Have you ever in your life stood in front of a painting for such a long time?” From two college age musicians who spent a good half hour studying the painting
And, an interchange between a mom and her high school age son…(which so appropriately happened on Mother’s Day)
Son: “I think it is going up.”
Mom: “No, it is going down.”
Son: “No, I am sure it is going up.”
Mom: “No. I am positive it is going down and I’m the mom so I am right!”
“Unraveled Fears” may be the painting that I wrestled with the most this winter. I spent so much time adding more layers to this painting and and it was the work I was the most hesitant to share. This seems to be a reoccurring experience for me- the paintings that resonate deeply with me, the ones that feel the most deeply personal, the pieces I’m concerned about sharing…end up being the paintings that elicit the most in-depth concentration and conversations. They draw people in for a longer look.
The work that resonates deeply with me, also resonates deeply with others.
And, once again, I am reminded and challenged of what I know to be true…that when artists create from that which is within, when they create from that which is authentic, when they allow their heart and soul to flow into the work, the work will resonate and the real conversations will begin and continue long into the future.
Dear Creative Heart,
This is the time of year that I am spending hours in the studio fighting the battle of creative courage. It is the time of year when all the time spent dreaming and reflecting about what I will be creating in 2017 starts to unfold.
When the sun is shining and light is pouring through the windows of my upstairs sunroom studio, it helps me to find the inspiration to put the brush to canvas.
You can also find me this time of the year in my basement studio. This is a much bigger space so I have room for canvases in various stages from beginning to end. Some are drying from a layer of gesso which is the very first layer I apply to canvas. Some canvases have just had the clear line work laid down, and some have reached the finishing stages-ready for the sides to be painted and the multiple protective layers of isolation coat and varnish to be applied.
So many pieces are in progress right now…but still I work from this place of not knowing. It is in this place of not knowing where the battle of creative courage intensifies on an hourly and daily basis.
This is the place where I have to remind myself time and again that listening to what is in my heart is the way to taking the next step.
This is the place where I am deeply grateful that I have to opportunity to wrestle with translating thought, feeling and experience to the canvas in vibrant color.
Keep creating friends.
Keep ushering art into your life in all its various forms.
Look for the light, it is waiting to be found.
Dear Creative Heart,
This new year has brought the first large painting of the year “Unraveled”, the beginning of a new body of work, local art exhibits and an “art show application season” in full swing. It is hard to believe we are already a month and a half into the new year.
Winter days in the studio are finding me adding a layer of gesso (white undercoat layer) to canvases, designing and laying down the line work for new pieces and applying to 2017 art shows.
I’ve also been enjoying sharing my work in some local art exhibits over the winter months. I’ve shared my artwork in a retirement community, an art center members show and a coffee shop. It is one of the best joys of being an artist to share work in places where people congregate as a community for fellowship, healing, growth and conversation.
There are many different responses we can choose when facing the multitude of changes, transitions, fears, and unrest that we have been dealt as a nation. One of the things I have decided to do is to choose creating and sharing art- focusing anew on creating beauty, joy, vibrant color, hope, and community.
One of the most frequent questions I get asked in my art booth is some version of “Why all the swirls?” I love this question! I’ve always sketched and doodled swirls, spirals, waves and circles. My notebooks/diaries/journals have been full of spirals since a young age. I even have my childhood Spirograph sitting in my studio. However, it wasn’t until several years ago when I was exploring creating a body of work involving spirals, that I began to connect the dots in my own visual language journey. I started to research the deep symbolism of the spiral (and by “research” I mean standing in the Minneapolis Institute of Art book store browsing a book on symbolism in art) where I discovered two interesting things. First, the spiral is the most commonly found form in nature-I had NO IDEA!?! Really, the most common??? I also read that for centuries the spiral has been the visual symbol for growth and transformation.
This idea connected with me- it made sense at very deep personal level. I have a background in education and art. For years, I’ve been teaching and encouraging the processes of growth and change. I love to read books about the creative process and how it helps to facilitate openness to change. I discovered in that moment for the first time that these things that I was creating intuitively, made sense to me on intellectual, emotional and spiritual levels as well. Basically, my head was catching up with my heart.
I also think on some level this research somehow internally gave validity to my visual pursuit of this series of work. It makes me feel so “human” to admit that I had to wrestle internally and for years to find the value in my own creative processes. I’m still on this growth curve, but I have learned to be more aware of what my art is teaching me about my own life and moving through life with those around me.
We are all swirling and spiraling through stages and phases. Some are more colorful that others. Some come with more pain, some with more joy and they are all a part of this process called life. So, I paint the spirals and loops and movement capturing bits of emotion and life experiences on the canvas as I go. Each stroke a brief glimpse into this human experience- full of movement, transitions, transformations, and change.
Noticing the colors,
the deepening layers